T2#056 |
Dodge Shadow |
|---|---|
| real name | Direct Connection Shadow Turbo |
| source photo status | from Internet |
| vk post | https://vk.com/wall-170914_939 |
T2#056 |
Dodge Shadow |
|---|---|
| real name | Direct Connection Shadow Turbo |
| source photo status | from Internet |
| vk post | https://vk.com/wall-170914_939 |
T2#054 |
Jaguar Ozel Yapim |
|---|---|
| real name | Jaguar Ozel Yapim |
| source photo status | not found |
| vk post 1 | https://vk.com/wall-170914_32 |
| vk post 2 | https://vk.com/wall-170914_3200 |
T2#053 |
Lincoln Continental |
|---|---|
| real name | Lincoln Continental Mk.VII |
| source photo status | from Internet |
| vk post | https://vk.com/wall-170914_28 |
T2#051 |
Ferrari Testarossa |
|---|---|
| real name | Ferrari Testarossa |
| source photo status | from Internet |
| vk post | https://vk.com/wall-170914_4058 |
This Turbo-inspired artwork set was created by Midjourney and Alexey Gladyshev. All the cars from Turbo 2-series collection is presented here. Alexey managed AI and select its best tries to create this amazing gallery. The cars look like they come from a parallel Universe.
This wrapper invoked natural feeling "Wow, Mers!" when one saw it first time. The car presented on it is the most usual Mercedes 190 or W201. There weren't a lot of Mercedes-Benz cars in SU cities streets, most of them were W123 or even W115 this time. So 190-model looked rather contemporary for the beginning of 1990s.
As I'm not specialist in motorcycles I've decided to put 'em all to one post (because I just cannot leave 'em unmentioned). So we could see all the bikes from Turbo wrappers here. I won't supply 'em with descriptions, cause I don't want to fill Internet with another boring bullshit from a person who isn't inside of a theme.
— 140 kilometers per hour!? Why do you need such a racing motorcycle if the Volga is driving faster? Serega Semin, who expected to "change" his not-so-valuable liner for at least something, was silent in confusion. He did not know that in half of the cases, the specifications on the inserts were incorrect. Half a lifetime passed in the blue labyrinths of public spaces. Classrooms, auditoriums, recreation areas, corridors, offices, libraries, pharmacies, entrances. The same blue, sometimes green paint and whitewash passing from the ceiling. Our whole world was eight-colored, because all the same colors looked at us from clothes, printing, toys, dishes, paint and plasticine. Like a translucent screen, they slightly covered the emptiness and depression.